20 Simply Awesome Bill Murray Quotes

If you don’t know who Bill Murray is, you are missing out! He’s one of the funniest comedians of all time. His characters in Ghostbusters, Caddyshack, and Groundhog Day are some of the most quotable of all time. Along with being absolutely hysterical, he’s also shared some words of wisdom throughout the years. Sit back and let one of the funniest men alive drop some knowledge for you:

Be the best you that you can be

“Nothing prepared me for being this awesome. It’s kind of a shock. It’s kind of a shock to wake up every morning and be bathed in this purple light.”

“There’s a wonderful sense of well-being that begins to circulate . . . up and down your spine. And you feel something that makes you almost want to smile. So what’s it like to be me? Ask yourself, ‘What’s it like to be me?’ The only way we’ll ever know what it’s like to be you is if you work your best at being you as often as you can, and keep reminding yourself that’s where home is.”

“It’s hard to be an artist. It’s hard to be anything. It’s hard to be.”

Live in the moment

“I don’t believe that you can give the same performance every take. It’s physically impossible, so why bother? If you don’t do what is happening at that moment, then it’s not real. Then you’re holding something back.”

“I live a little bit on the seat of my pants, I try to be alert and available … for life to happen to me. We’re in this life, and if you’re not available, the sort of ordinary time goes past and you didn’t live it. But if you’re available, life gets huge. You’re really living it.”

“My hope, always, is that it’s going to wake me up. I’m only connected for seconds, minutes a day, sometimes. And suddenly, you go, ‘Holy cow, I’ve been asleep for two days. I’ve been doing things, but I’m just out.’ If I see someone who’s out cold on their feet, I’m going to try to wake that person up. It’s what I’d want someone to do for me. Wake me the hell up and come back to the planet.”

“The more relaxed you are, the better you are at everything: the better you are with your loved ones, the better you are with your enemies, the better you are at your job, the better you are with yourself.”

“Don’t think about your errors or failures, otherwise you’ll never do a thing.”

“As I once said to one of my brothers, ‘This is your life, not a rehearsal.’ Somewhere there’s a score being kept, so you have an obligation to live life as well as you can, be as engaged as you can. The human condition means that we can zone out and forget what the hell we’re doing. So the secret is to have a sense of yourself, your real self, your unique self. And not just once in a while, or once a day, but all through the day, the week and life. You know what they say: ‘Ain’t no try, ain’t nothing to it but to do it.’”

“Sentimentality to me is a symbol that we’ve left the planet. OK, bye-bye. Let me know when you come back because you’re no longer here. You just left. It reminds of being at a funeral, like my dad dies and the grief is just overpowering. And all anyone can say to you is, ‘Well, he’s probably up there in heaven, bowling with Uncle George.’ It’s like, ‘Yeah, that’s probably it. He’s up there bowling with Uncle George.’ He’s dead. He’s gone. What am I going to do? Talk to ME. Don’t make up your own dreamscape. Stay here with me, will you? Don’t go away.”

Being Famous

“There’s only a couple times when fame is ever helpful. Sometimes you can get into a restaurant where the kitchen is just closing. Sometimes you can avoid a traffic violation. But the only time it really matters is in the emergency room with your kids. That’s when you want to be noticed, because it’s very easy to get forgotten in an ER. It’s the only time when I would ever say, ‘Thank God. Thank God.’ There’s no other time.”

“I always want to say to people who want to be rich and famous: ‘try being rich first’. See if that doesn’t cover most of it. There’s not much downside to being rich, other than paying taxes and having your relatives ask you for money. But when you become famous, you end up with a 24-hour job.”

“A moat can be a pretty good thing. It can be lovely. It keeps rodents away from the castle. It can have fish in it. Even fish that talk. … If you give people access, they take advantage. My phone would ring 75 times in a row. Finally, I would pick it up and say, ‘Who the hell is this?’ ‘Oh, hi! I’m calling from so-and-so’s office…’ What kind of person would ever, ever let the phone ring 75 times? And I guess that’s when I started thinking: ­I can do without these people.”

On Acting

“If you go to actors’ class, you don’t really die, because there’s never really an audience. But if you work for Second City, there’s an audience, and you die in the improv set five times out of nine. So, once you get over your fear of dying, nothing else ever really scares you. And Saturday Night Live was as tough as Second City. Once you get through those, making movies is a joke.”

“I’m not that organized. I’m not one of those guys. I mean you read it, you look at it, and you go: I have that in me, I can do that. I don’t necessarily get all mental. There are people that are working with you on every level and on a movie you’re working with people that are, ideally, all serving the same goal and that’s what helps me get into a role.”

“[I]t’s an amazing triumph even to make a bad movie. Even a crap film is really an extraordinary achievement. You’re taking a two-dimensional object and making it three-dimensional. The number of people. The number of days. The number of cuts.”

“I’ve always tried to be a little bit loose. This great director we had at Second City [Del Close] said: ‘You wear your characters like a trench coat. It’s still you in there, but there’s like a trench coat.’ So I figured this was like a winter trench coat, because there was just a little bit more character that comes to the party. So I did a lot more reading, a lot more studying.”

On Family

“If you bite on everything they throw at you, they will grind you down. You have to ignore a certain amount of stuff. The thing I keep saying to them lately is: ‘I have to love you, and I have the right to ignore you.’ When my kids ask what I want for my birthday or Christmas or whatever, I use the same answer my father did: ‘Peace and quiet.’ That was never a satisfactory answer to me as a kid—I wanted an answer like ‘A pipe.’ But now I see the wisdom of it: All I want is you at your best—you making this an easier home to live in, you thinking of others.”

“My mother is a real character, a talkative soul who can make friends with anyone, and she’d always been a massive influence on me. She’s so animated, I even used to tape phone conversations with her in order to steal material!”

“If you have someone that you think is The One, don’t just sort of think in your ordinary mind, ‘OK, let’s pick a date. Let’s plan this and make a party and get married.’ Take that person and travel around the world. Buy a plane ticket for the two of you to travel all around the world, and go to places that are hard to go to and hard to get out of. And if, when you come back to JFK … you’re still in love with that person, get married at the airport.”

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